![]() Luckily, Netflix has a Spotify playlist ready to go for just that occasion:Īs for which song plays when over the series, here's a full rundown of the show's soundtrack, episode by episode. With so much music, fans are sure to want to sit down with a full tracklist and enjoy the smorgasbord of sound. ![]() Episode 3 is the most stuffed, with no less than 10 tracks, ranging from modern stuff like Jamelia's "Superstar" to the very '70s "Ballroom Blitz" by Sweet. For instance, Episode 1 has eight songs over the course of the 50-odd minutes it runs. But the sheer amount of music from the jump in the series is remarkable. The Firefly Lane Season 1 soundtrack is an aural feast of forgotten jams from the '70s, '80s, and early '00s that viewers of every age will enjoy.Įvery show has a soundtrack, especially a period-set series with a significant budget like Firefly Lane. But Firefly Lane goes another step further, filling the past with music reminiscent of specific time periods. Both shows add visual cues for the past with clothing and technology from different eras. But where the NBC series is set in the '80s, '90s, and present-day, Netflix's newest family drama runs from 1974 to 2003. A Vitamin String Quartet cover of Robyn’s “Dancing On My Own” kicks off their journey, describing the characters’ independent and emotionally closed-off approach to life, and Midnight String Quartet’s take on Miley Cyrus’s “Wrecking Ball” plays to end the lovers’ journey, encapsulating Kate and Anthony’s undeniable impact on each other.Firefly Lane is, much like This Is Us, set across the span of nearly 40 years. Most deserving of a dramatic soundtrack was Season 2’s passionate and forbidden central romance between Kate Sharma and Anthony Bridgerton. It seemed like a great moment to highlight a genre of music that we had not featured to this point: Bollywood,” says Kamps, referring to the use of “Kabhi Khushi Kabhie Gham” in Episode 6. Kamps also worked in new types of music: “We have these amazing characters Kate and Edwina, and we wanted to really represent them and their culture. ![]() Season 2’s lineup of covers also features a range of well-known pop stars: Alanis Morissette, Nirvana, Madonna, Rihanna, and Harry Styles, among them. For a show where choreography and movement is front and center, the rhythm was critical when building the soundtrack for the drama-laden ballroom scenes. Joining the team as lead music supervisor this season is Justin Kamps ( Lucifer), who rose to the challenge of such a suspenseful, sexy, and highly anticipated storyline. With a resume that includes The Revenant and Birdman or (The Unexpected Virtue of Ignorance), shes not one to shy away from. Threatening his rigid way of life are the Sharma sisters, Kate and Edwina (the queen’s diamond-of-the season), who arrive in London, along with their mother, their corgi, and their own family secrets. The shows primary musical supervisor, Lynn Fainchetein picked the perfect collection of music to set the background for the Danish sci-fi apocalypse series, The Rain. This courting season sees eldest Bridgerton sibling Anthony pursuing a wife while wrestling with past trauma and present responsibility. The result is both celebratory and catchy, fit for the illustrious balls and the outsized characters who occupy them.īridgerton’s second season - chock full of sexual tension, naked viscounts, and forbidden love - is armed with an equally distinctive roster of pop covers. Together with Grammy and Emmy-nominated composer Kris Bowers, showrunner Chris Van Dusen, and executive producers Betsy Beers and Shonda Rhimes, Patsavas and the music team relied on experimentation to find the perfect balance between traditional and contemporary sound. ![]() “Defining music as a character has always really been a part of the Shondaland ethos,” she says. Alexandra Patsavas, the music supervisor for Season 1, first teamed up with Shondaland on the pilot of Grey’s Anatomy, and has worked on all of the studio’s projects since. ![]()
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